COLLECTED MILLAR: THE TOM ARAGON NOVELS
COLLECTED MILLAR: THE TOM ARAGON NOVELS
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Fast talking Tom Aragon, a Mexican-American lawyer turned private investigator, finds himself investigating a trio of missing persons’ cases in the always bizarre California hills.
One of Millar’s few reoccurring characters and her only foray into the tradition of Chandler and Hammett, Tom Aragon, ranks among her best creations. A sarcastic but talented young lawyer with a few rough edges, Aragon finds himself navigating one entitled nest of vipers after another, not to mention racial prejudice, in three of Millar’s most unusual stories.
Ask for Me Tomorrow (1976)
Gilda Decker needs a new bag, what with her second husband being suddenly crippled and her ex-husband hiding himself and his money somewhere in the hinterlands of Mexico. Gilda's recently retained lawyer, Tom Aragon, Mexican himself, is the best man for the job. But the deeper Aragon digs into her ex-husband's past the more dangerous his job becomes.
The Murder of Miranda (1979)
Miranda Shaw and Grady Keaton should have made for a run-of-the-mill scandal at the prestigious Penguin Beach Club. Shaw, a recently widowed woman of fifty, was seen leaving the club with Keaton, a ruggedly handsome lifeguard half her age. When Miranda and Keaton go missing, the widower’s lawyer sends his handiest man to find out where they’ve wandered off to. The clues come one stranger than the next for Tom Aragon in this often-hilarious novel of folly among the California elite.
Mermaid (1982)
Cleo Jasper is as beautiful as she is simple-minded—and now, she’s missing. Her doting brother will stop at nothing to find his defenseless sister, who fears the worst. Enter Tom Aragon, who is retained to track her down and return her to safety. Aragon soon realizes that he has once again found himself in over his head when Cleo's friend turns up dead amidst a sea of somewhat dubious suicide notes.
PRAISE FOR COLLECTED MILLAR
"A writer whose own work is every bit as psychologically bruising and critically acclaimed as that of her husband [Ross Macdonald], if not as well known. But [Syndicate Books] hopes to rectify that with Collected Millar."
—Kevin Burton Smith, Mystery Scene Magazine
"Razor-sharp."
—The Seattle Times
PRAISE FOR MARGARET MILLAR
Mystery Writers of America Grand Master
Winner of the Edgar Award for Best Novel
Los Angeles Times Woman of the Year
“One of the most original and vital voices in all of American crime fiction.”
—Laura Lippman
“I long ago changed my writing name to Ross Macdonald for obvious reasons.”
—Kenneth Millar (Ross Macdonald), in a letter to the Toronto Saturday Night newspaper
“Very Original.”
—Agatha Christie
"Stunningly original."
—Val McDermid
“She has few peers, and no superior in the art of bamboozlement.”
—Julian Symons
“Written with such complete realization of every character that the most bitter antagonist of mystery fiction may be forced to acknowledge it as a work of art.”
—Anthony Boucher reviewing Beast in View for the New York Times
“Margaret Millar can build up the sensation of fear so strongly that at the end it literally hits you like a battering ram.”
—BBC
“Wonderfully ingenious.”
—The New Yorker
“Brilliantly superlative… One of the most impressive additions to mystery literature—and the word “literature” is used in its fullest sense.”
—San Francisco Chronicle
“In the whole of crime fiction’s distinguished sisterhood, there is no one quite like Margaret Millar.”
—The Guardian
“A superb writer.”
—H.R.F. Keating
“She writes minor classics.”
—Washington Post
“Mrs. Millar doesn't attract fans she creates addicts.”
—Dilys Winn, namesake of the Dilys Award
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