HOW LIKE AN ANGEL by Margaret Millar (ebk)
HOW LIKE AN ANGEL by Margaret Millar (ebk)
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California cultists, duplicitous damsels in distress, and dangerously high stakes conspire against Joe Quinn, a private eye who is beginnnig to feel more like a knight-errant
Joe Quinn is cut adrift. He’s lost everything. His girl. His job. His place in the universe. A security head for a casino in Reno just can’t afford to have a gambling problem.
Life takes a turn from tragic to strange when Quinn finds himself on the doorsteps of a religious cult’s tower in the remote California hills. Quinn hitched a ride from Reno but never thought he’d end up in a place like this. But a gambler has to play the hand he’s dealt. When one of the cultists asks Quinn to check on a man named Patrick O’Gorman and slides a not so small amount of money in his jacket, well, that’s just the sort of hand Quinn has been looking for.
Thing is, Quinn soon finds out, O’Gorman disappeared under bizarre circumstances several years ago. For reasons he doesn’t entirely understand, perhaps for the sake of having a purpose, Quinn begins a lurid quest to uncover the truth. What he finds out instead is that there are just as many crazies outside the walls of a cultist tower as there are inside.
PRAISE FOR MARGARET MILLAR
Mystery Writers of America Grand Master
Winner of the Edgar Award for Best Novel
Los Angeles Times Woman of the Year
“One of the most original and vital voices in all of American crime fiction.”
—Laura Lippman
“No woman in twentieth-century American mystery writing is more important than Margaret Millar.”
—Dorothy B. Hughes, author of In a Lonely Place
“I long ago changed my writing name to Ross Macdonald for obvious reasons.”
—Kenneth Millar (Ross Macdonald), in a letter to the Toronto Saturday Night newspaper
“Very Original.”
—Agatha Christie
"Stunningly original."
—Val McDermid
“She has few peers, and no superior in the art of bamboozlement.”
—Julian Symons
“Written with such complete realization of every character that the most bitter antagonist of mystery fiction may be forced to acknowledge it as a work of art.”
—Anthony Boucher reviewing Beast in View for the New York Times
“Margaret Millar can build up the sensation of fear so strongly that at the end it literally hits you like a battering ram.”
—BBC
“Wonderfully ingenious.”
—The New Yorker
“Brilliantly superlative… One of the most impressive additions to mystery literature—and the word “literature” is used in its fullest sense.”
—San Francisco Chronicle
“In the whole of crime fiction’s distinguished sisterhood, there is no one quite like Margaret Millar.”
—The Guardian
“A superb writer.”
—H.R.F. Keating
“She writes minor classics.”
—Washington Post
“Mrs. Millar doesn't attract fans she creates addicts.”
—Dilys Winn, namesake of the Dilys Award
ABOUT THE AUTHOR
Margaret Millar (1915-1994) was the author of 27 books and a masterful pioneer of psychological mysteries and thrillers. Born in Kitchener, Ontario, she spent most of her life in Santa Barbara, California, with her husband Ken Millar, who is better known by his nom de plume of Ross MacDonald. Her 1956 novel Beast in View won the Edgar Allan Poe Award for Best Novel. In 1965 Millar was the recipient of the Los Angeles Times Woman of the Year Award and in 1983 the Mystery Writers of America awarded her the Grand Master Award for Lifetime Achievement. Millar’s cutting wit and superb plotting have left her an enduring legacy as one of the most important crime writers of both her own and subsequent generations.
