Margaret Millar Cover Reveal #4: HOW LIKE AN ANGEL & BEYOND THIS POINT ARE MONSTERS

Apologies all for the lag in putting up additional cover reveals. But I promise this will make up for it. Two supreme classics from Millar's golden age and what might be two of Jeff Wong's best covers yet.

Check back tomorrow to read Jeff's post about the inspiration behind his cover work for How Like an Angel.  Also look for some information on the print COLLECTED MILLAR project, which should be announced very soon.

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California cultists, duplicitous damsels in distress, and dangerously high stakes conspire against Joe Quinn, a private eye who is beginnnig to feel more like a knight-errant

Joe Quinn is cut adrift. He’s lost everything. His girl. His job. His place in the universe. A security head for a casino in Reno just can’t afford to have a gambling problem.

Life takes a turn from tragic to strange when Quinn finds himself on the doorsteps of a religious cult’s tower in the remote California hills. Quinn hitched a ride from Reno but never thought he’d end up in a place like this. But a gambler has to play the hand he’s dealt. When one of the cultists asks Quinn to check on a man named Patrick O’Gorman and slides a not so small amount of money in his jacket, well, that’s just the sort of hand Quinn has been looking for. 

Thing is, Quinn soon finds out, O’Gorman disappeared under bizarre circumstances several years ago. For reasons he doesn’t entirely understand, perhaps for the sake of having a purpose, Quinn begins a lurid quest to uncover the truth. What he finds out instead is that there are just as many crazies outside the walls of a cultist tower as there are inside.

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The investigation into the disappearance of a wealthy California rancher brings to light the secrets of a whole community in this haunting masterpiece of suspense

On a small family ranch outside Boca de Rio, a California city just across the Mexican border from Tijuana, time has stood still for the last year, since the day Robert Osborne, the 24-year-old ranch owner, went out for a walk with his dog and never came home. A large amount of two types of blood was found on the floor of the canteen used by the Mexican viseros, day-laborers hired to work the fields, but Robert's body was never recovered--if he was killed. The sheriff investigating the case pursued the case so tirelessly he couldn't cope with his failure to solve it and quit his job. 

In the year that has passed, the ranch has languished. Until Robert is declared dead, the ranch's executorship cannot be passed to someone else. His widow, Devon, yearns to move on with her life. But Robert's mother can't accept that her son is dead. 

Now, at last, the case to have Robert Osborne declared dead in absentia is being heard before the County of San Diego Court. It should be a cut-and-dry ruling--all evidence points to murder. But as witnesses come forward to testify before the judge, secrets of the ranch's past are exposed--secrets of a salacious love affair and a suspicious suicide, of anti-Mexican racism and illegal border-crossing, of alcoholism, indigence, adultery, unwanted pregnancy, even older rumors of murder. Will learning the truth about Robert Osborne allow these wounds to finally heal, or will it only rip open new ones?

Margaret Millar Cover Reveal #3: A STRANGER IN MY GRAVE and THE FIEND

THE FIEND is, in a word, outrageous. It is easily one of Margaret Millar's most daring novels and one which involves one of the most brilliant games of cat-and-mouse between author and reader that has ever been written. It's not so much a "whodunnit" as it is a "please-for-the-love-of-god-don't-let-him-do-it". You've been warned. 

A STRANGER IN MY GRAVE is often held forth as Margaret Millar's greatest achievement. That point is contested by some but if you need further convincing let me recommend Declan Hughes' beautiful essay on the book in John Connolly and Declan Burke's indispensable collection of writers on writers, BOOKS TO DIE FOR

But that's enough of this preamble. Let's get to the latest round of Jeff Wong covers. 

 

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A young girl is at risk in this tense and disturbing page-turner that reveals a web of abusers and victims among a disparate cast of middle class Americans

Ben Gowen is trying to do the right thing. His brother Charlie is a disturbed man—one who has done his time for the crimes he committed, crimes involving children. But Ben is determined to help Charlie reform, something that isn’t easy considering Charlie’s limited mental capacity and the nature of his disease.

Charlie wants to be good. To be good and to be liked by his brother Ben. He doesn’t want to have the bad thoughts. But he’s disturbed that the parents of a little girl named Jessie have allowed their daughter to engage in risky behavior. Climbing trees. Rough-housing on the playground. She could get hurt. She should be fed nourishing meals and given warm clothing to wear. Upset, Charlie writes an anonymous letter to Jessie’s mother, shaming her. He will keep an eye on her and make sure she’s safe.  

The Fiend, first published in 1964, is a shocking novel in any era. Millar piles on the suspense and tension to nearly unbearable heights as a self-absorbed group of adults fail to notice a predator in their midst.

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Young housewife Daisy Harker’s world is upended when a blank spot in her memory and a reoccurring nightmare link her to an unsolved murder and a decades-old conspiracy

Jim and Daisy Harker are a young, well-to-do couple in San Felice, California, and though childless they maintain the sort of domestic happiness that others can only aspire to. But a darkness exists at the outer edges of Daisy’s mind and she has no idea why it’s there. In a series of reoccurring nightmares she wanders a cemetery, eventually finding her own gravestone. According to the dream, December 2nd, 1955 is the day she died.  

Street smart but honorable, Stevens Pinata is a man with his own mysteries. An orphan left on a church doorstep as a child, he isn’t even certain of his ethnicity, let alone his goals in life. As a private investigator he works with bail bonds and quick shakedowns. But when a pretty young woman like Daisy Harker comes into his office with a crazy request to “find her lost day” he is intrigued. He is too decent to take advantage of a crazy woman, but Mr. Harker is a wealthy man and who is Pinata to turn down money?

What unfolds is a masterpiece of suspense and one of the books that forever changed the domestic thriller. Millar’s razor sharp prose cuts a masterful plot and slashes at the racism, sexism, and entitlement endemic to an era otherwise celebrated for its prosperity.

Maggie's Back: The First Five eBooks Pub Today

It's a great day for fans of literature. 

For the first time in, well, ever, Margaret Millar is available to eBook readers. Released today are the first five books in our ongoing project to restore to print and digital availability the complete works of Margaret Millar. We're starting with eBooks and print is soon to follow. 

Check out our previous posts on BEAST IN VIEW & AN AIR THAT KILLS as well as THE LISTENING WALLS, VANISH IN AN INSTANT & WIVES AND LOVERS for more information on the first five eBooks released as well as information on where you can purchase them.